This conference is co-sponsored by the Aboriginal
and Torres Strait Islander Commission and the Aboriginal
and Torres Strait Islander Arts Fund of the Australia
Council.
The purpose of the conference
is to bring together Aboriginal and Torres Strait Islander artists
and arts workers to have a voice about the future of their professional
practice, to share their knowledge, expertise and stories, and
to make recommendations for the future support of Indigenous
arts in this country. Interested professionals working within
the Indigenous arts industry and other members of the public
are also welcome to attend.
The Conference will include:
- Keynote addresses by leading
artists, curators and arts administrators.
- Artist presentations (using
work or slides to talk about work, techniques, story, etc)
- Workshops on issues relevant
to artists and arts workers
- Talking circles (co-ordinated
group discussions around a theme in a relaxed environment)
- Papers and presentations
on Indigenous art and the conference themes (20 minute papers
with 10 minutes for questions)
History
The first national gathering
on Aboriginal and Torres Strait Islander visual arts was a five-day
seminar sponsored by the Australia Council for the Arts, held
at the Australian
National University in May 1973.
The conference, 'Aboriginal Arts in
Australia', was opened
by Prime Minister Gough Whitlam. Dick Roughsey and John Moriarty
introduced the program, which included artists from around the
country, including Papunya and Yirrkala artists, and Maori, Indian,
Nigerian, PNG and Native American artists. The seminar dealt
with film, theatre and literature as well as visual arts. Participants
made a series of resolutions on how traditional and emerging
Indigenous arts could be supported.
It was 16 years before the
second conference was held in Perth in 1989,
hosted by Dumbartung Aboriginal Cooperative. The conference was
sponsored by the Aboriginal Arts Board of the Australia Council
for the Arts, which had all-Indigenous directors for the first
time: Gary Foley, Chicka Dixon and Jimmy Everett.
The third national conference
was held in Cairns
in November 1999. Delegates
attending included Aboriginal and Torres Strait Islander artists,
art and craft advisers, gallerists, academics, bureaucrats and
observers interested in Indigenous visual arts. One of its recommendations
was that a National Aboriginal and Torres Strait Islander Visual
Arts Conference should be held every two years, coinciding with
a major cultural event.